FUJIFILM GFX100S II

by Fujifilm
Verfügbarkeit: 7-10 days delivery
SKU
FU-GFX100SII

Offering an immersive large format photography experience, FUJIFILM GFX100S II does not simply make images, it creates vivid memories of your favorite places in breathtaking detail.

5.499,00 € 4.399,20 €

Paket beinhaltet

  • FUJIFILM GFX100S II
  • Li-ion battery NP-W235
  • AC power adapter AC-5VJ
  • Plug adapter
  • USB cable
  • Shoulder strap
  • Body cap
  • Hot shoe cover
  • Memory card slot cover
  • Cable protector

MORE THAN FULL FRAME

Offering an immersive large format photography experience, FUJIFILM GFX100S II does not simply make images, it creates vivid memories of your favorite places in breathtaking detail.

  • 102-megapixel large format sensor for outstanding image quality.
  • High-speed performance and powerful image stabilization for complete control.
  • All wrapped up in the lightest GFX System camera to date.

Record Scenes With Unparalleled Image Quality

The newly-developed large format sensor and latest imaging engine boost image quality and speed compared to the original GFX100S. Add powerful image stabilization into the camera’s compact body and it makes GFX100S II the ultimate photographic tool.

Tell Your Story in Vivid Detail

Offering more than full frame, the large format GFX 102MP CMOS II sensor measures 55mm diagonally and records subjects in 102-megapixel detail for stunning depth, texture, and tonality. This is coupled with the high-performance X-Processor 5 imaging engine, which rapidly processes and optimizes vast amounts of data from the sensor. Combined, they create an intuitive image-making experience even for those using a large format camera for the first time.

ISO 80 Standard Sensitivity

By improving the pixel structure on the new sensor, standard sensitivity has been extended to ISO 80.
Now, photographers can make 16-bit images with wider dynamic range and lower noise than ever before.

Improved Quality in Every Corner

Redesigned microlens improve light coverage at the corners of the sensor, delivering better image quality and increased AF accuracy at the periphery of the lens.

Film Simulation modes

For the past 90 years, Fujifilm has worked tirelessly on color research. This vast expertise is harnessed in its unique Film Simulation modes. GFX100S II features 20 such modes, including the latest REALA ACE, providing a wide variety of creative looks.

Pixel Shift Multi-Shot

GFX100S II is equipped with Pixel Shift Multi-Shot, which uses the in-body image stabilization system to precisely shift the sensor by 0.5 pixels for each shot while recording 16 consecutive RAW images. The images are then processed using the dedicated Pixel Shift Combiner software to generate a single 400-megapixel image.

Additionally, Real Color mode records four RAW files with a one-pixel shift between each frame. With this function, it is possible to create 102-megapixel images with suppressed false colors, using only a quarter of the time and data of the previous GFX100S model.

Other functions for Still

Other functions for Still

Renders more realistic colors on highly saturated scenes by producing deeper tones. Perfect for vibrant subjects including flowers and bright landscapes.

Grain Effect

Gives a film-like aesthetic to images by adding a natural, grainy look to the whole frame.

Smooth Skin Effect

Ideal for portraiture, this function smooths skin texture for a more flattering complexion.

HEIF Image Format Support

GFX100S II supports the HEIF format, a 10-bit image file with over a billion colors. It delivers high image quality, but uses up to 30% less space than a JPEG.

Clarity

Lets you decide whether to depict a scene with crisp sharpness or with a soft feel. With 11 levels of control, it’s easy to fine-tune to your own personal taste and style.

White Balance Shift

For white balance, choose Auto, Custom, Color Temperature, or a series of preset options. White balance can be fine-tuned in the WB Shift feature with red (R) and blue (B) color coordinates.

Never Miss A Moment

Large format cameras often provide high image quality, but low practicality when photographing moving subjects. GFX100S II excels in both fields. It records fleeting moments in ultra high quality so you never miss the perfect image.

Updated AF Algorithm

Thanks to an improved predictive AF algorithm, GFX100S II delivers enhanced subject tracking and improved AF accuracy in low-contrast environments, compared to its predecessor, the GFX100S. This means it can accurately track a wide range of subjects, including dynamic portraits, sports, and wildlife.

Subject Detection AF

GFX100S II’s AF algorithm boosts face and eye detection, leaving photographers the freedom to concentrate on composition and timing. GFX100S II is also equipped with subject detection AF based on deep-learning AI technology. It can detect and focus on various subjects including animals, birds, cars, motorcycles, bicycles, airplanes, trains, insects*, and drones* using artificial intelligence.

* Set SUBJECT DETECTION SETTING to BIRD to detect insects and AIRPLANE to detect drones.

7fps High-Speed Burst

Thanks to the newly developed GFX 102MP CMOS II sensor and improved readout speed enabled by the new shutter unit, GFX100S II achieves a continuous burst speed of up to 7.0 frames-per-second*.

*When mechanical shutter is selected

High-Magnification and High-Resolution EVF

Featuring a resolution of 5.76 million dots and a magnification of 0.84x, the electronic viewfinder on GFX100S II offers high visibility.

Zone Custom Setting

Setting the AF mode to Zone allows customization of the focus area according to the subject’s shape and movement.

Other functions for High Speed

  • AF-C Custom Setting
  • Number of Focus Points

Ultimate Freedom

GFX100S II features the highest level of 5-axis image stabilization with a benefit of up to 8.0 stops* for virtually limitless large format creativity, delivering exceptional image quality even in challenging low-light scenarios. Yet despite all the performance upgrades from the GFX100S, the weight of GFX100S II has been reduced compared to its predecessor. At 883g (1.95lbs)**, it is the lightest 102-megapixel body in Fujifilm’s GFX System.

* Compliant with CIPA in pitch / yaw directions when mounted with the FUJINON GF63mmF2.8 R WR lens.
** With battery and memory card installed.

Our Most Powerful IBIS Up to 8.0 Stops of In-Body Image Stabilization

To maximize the benefits of the 102-megapixel large format sensor, GFX100S II is equipped with the most powerful in-body image stabilization (IBIS) yet in a GFX System camera – the 5-axis system delivers an impressive benefit of up to 8.0 stops.
This is made possible by a meticulously designed IBIS unit with precise gyroscopic and accelerometer sensors designed to correct even the slightest movements. As a result, handheld image making is more agile and effortless.

The Lightest GFX System Camera Yet

At 883g (1.95lbs), the body weight has been reduced compared to GFX100S, despite numerous feature upgrades such as the powerful in-body image stabilization system. Whether you want to photograph landscapes, portraits or travel images, it has never been easier to carry a 102-megapixel sensor for ultimate image quality.

Designed to Perform

New Leather Pattern BISHAMON-TEX™

The body of GFX100S II is coated in BISHAMON-TEX™, which is also used on the flagship GFX100 II. The three-arrow pattern, inspired by traditional Japanese design, not only enhances the look of the camera, but also serves to ensure a steady hold.

Comfortable, Steady Grip

The ergonomic grip is coated with BISHAMON-TEX™ to ensure a comfortable fit and assured hold. Combined with the camera’s best-in-class image stabilization, it provides reassuring support for handheld image making.

Mode Dial

GFX100S II uses a familiar mode dial to access exposure options quickly. In addition to PASM settings, the dial includes six custom positions where bespoke settings can be stored, then quickly and easily accessed for different subjects and creative scenarios.

Sub LCD Monitor

GFX100S II features a high-visibility 1.8-inch monochrome sub LCD monitor displaying essential information including shutter speed, aperture, ISO sensitivity, and exposure compensation. It also shows the remaining number of still images and recording time for video. The monitor can be customized to personal preferences.

Weather Resistant

Thanks to a camera body that is sealed in 60 different places, GFX100S II can easily shrug off challenging weather and environments*, for creativity without compromise. The body shell is also made from magnesium alloy, which is both rigid and robust.

*when used with a weather-resistant GF lens

More Than Just Stills

More Colors on Display

GFX100S II is perfect for video as well as stills. Thanks to the improved pixel structure on the newly developed GFX 102MP CMOS II sensor, ISO 100 is now standard sensitivity, plus the camera offers wider dynamic range and lower noise compared to previous GFX System models. Autofocus and handling are also improved compared to the GFX100S. Just as with stills, movies will show stunning depth, tone, and detail.

Others

XApp Integration

GFX100S II seamlessly connects to the downloadable FUJIFILM XApp for easy transfer and sharing of files. XApp also provides firmware updates and camera management options for comprehensive user support.

  • Microphone and Headphone Connector
  • Dual SD Card Slots
  • USB-C / HDMI Type D Terminal
  • Li-ion Battery NP-W235
Model Name FUJIFILM GFX100S II
Lens Mount FUJIFILM G mount
Image Sensor 43.8mm×32.9mm GFX 102MP CMOS II with primary color filter
Number of effective pixels 102 million pixels
Sensor Cleaning System Ultra Sonic Vibration
Image Processing Engine X-Processor 5
Sensor Cleaning System Ultra Sonic Vibration
Storage media SD Card (-2GB)
  SDHC Card (-32GB)
  SDXC Card (-2TB)
  UHS-I
  UHS-II
  Video Speed Class V90
  SSD (-2TB)
  *Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility.
File format of still image  
DCF Compliant with Design rule for Camera File system (DCF2.0)
JPEG Exif Ver.2.32
HEIF 4:2:2 10bit
RAW 14bit / 16bit RAW (RAF original format)
TIFF 8bit / 16bit RGB (In-camera Raw Conversion Only)
Notes *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
Number of recorded pixels  
[L] 43: 11648 x 8736
  32: 11648 x 7768
  169: 11648 x 6552
  11: 8736 x 8736
  6524: 11648 x 4304
  54: 10928 x 8736
  76: 10192 x 8736
[M] 43: 8256 x 6192
  32: 8256 x 5504
  169: 8256 x 4640
  11: 6192 x 6192
  6524: 8256 x 3048
  54: 7744 x 6192
  76: 7232 x 6192
[S] 43: 4000 x 3000
  32: 4000 x 2664
  169: 4000 x 2248
  11: 2992 x 2992
  6524: 4000 x 1480
  54: 3744 x 3000
  76: 3504 x 3000
Sensitivity  
Still Image  
Standard Output AUTO1
  AUTO2
  AUTO3
  ISO80~12800 (1/3 step)
Extended Output ISO40
  ISO25600
  ISO51200
  ISO102400
Movie  
Standard Output AUTO
  ISO100~12800 (1/3 step)
Extended Output ISO25600
Exposure control TTL 256-zone metering
  Multi
  Spot
  Average
  Center Weighted
Exposure mode P (Program AE)
  A (Aperture Priority AE)
  S (Shutter Speed Priority AE)
  M (Manual Exposure)
Exposure compensation  
Still -5.0EV~+5.0EV 1/3EV step
Movie -2.0EV~+2.0EV 1/3EV step
Image stabilizer  
Mechanism Image sensor shift mechanism with 5-axis compensation
Compensation Effect 8.0 stops
Digital Image Stabilization Yes (movie mode only)
IS MODE BOOST Yes (movie mode only)
Shutter type Focal Plane Shutter
Shutter speed  
Mechanical Shutter  
P mode 30sec. to 1/4000sec.
A mode 30sec. to 1/4000sec.
S/M mode 60min. to 1/4000sec.
Bulb up to 60min.
Electronic Shutter  
P mode 30sec. to 1/16000sec.
A mode 30sec. to 1/16000sec.
S/M mode 60min. to 1/16000sec.
Bulb up to 60min.
Notes *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
Mechanical + Electronic Shutter  
P mode 30sec. to 1/16000sec.
A mode 30sec. to 1/16000sec.
S/M mode 60min. to 1/16000sec.
Bulb up to 60min.
Notes *Mechanical shutter works until 1/4000sec.
  *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
E-Front + Mechanical Shutter  
P mode 30sec. to 1/4000sec.
E-Front + Mechanical + Electronic Shutter  
P mode 30sec. to 1/16000sec.
Movie  
4K/DCI4K 1/4000sec. to 1/8 sec.
FHD 1/4000sec. to 1/8 sec.
Notes *Cannot choose slower shutter speed than framerate for some settings.
Synchronized Shutter Speed For Flash  
Mechanical shutter 1/125sec. or slower
Continuous shooting  
CH  
Electronic Shutter Approx. 4.1fps (35mm Format Mode ON)
JPEG 1000+ frames
Compressed RAW 1000+ frames
Lossless compressed RAW 96 frames
Uncompressed RAW 24 frames
Compressed RAW + JPEG 95 frames
Lossless compressed RAW + JPEG 51 frames
Uncompressed RAW + JPEG 15 frames
Electronic Shutter Approx. 3.0fps  
JPEG 1000+ frames
Compressed RAW 508 frames
Lossless compressed RAW 45 frames
Uncompressed RAW 20 frames
Compressed RAW + JPEG 41 frames
Lossless compressed RAW + JPEG 29 frames
Uncompressed RAW + JPEG 16 frames
Electronic Shutter Approx. 7.0fps  
JPEG 184 frames
Compressed RAW 30 frames
Lossless compressed RAW 19 frames
Uncompressed RAW 16 frames
Compressed RAW + JPEG 16 frames
Lossless compressed RAW + JPEG 14 frames
Uncompressed RAW + JPEG  
Electronic Shutter Approx. 5.0fps  
JPEG 526 frames
Compressed RAW 46 frames
Lossless compressed RAW 22 frames
Uncompressed RAW 17 frames
Compressed RAW + JPEG 20 frames
Lossless compressed RAW + JPEG 16 frames
Uncompressed RAW + JPEG 12 frames
CL  
Mechanical Shutter Approx. 2.0fps  
JPEG 1000+ frames
Compressed RAW 1000+ frames
Lossless compressed RAW 337 frames
Uncompressed RAW 26 frames
Compressed RAW + JPEG 312 frames
Lossless compressed RAW + JPEG 42 frames
Uncompressed RAW + JPEG 20 frames
Notes *Electronic Front Curtain Shutter support CL only.
  *No. of recordable frames are calculated based on a cold start
  *Recordable frames depends on recording media
  *Speed of continuous shooting depends on shooting environment and shooting frames
Drive Mode  
AE Bracketing 2 frames
  3 frames
  5 frames
  7 frames
  9 frames
Filmsimulation Bracketing Any 3 types of film simulation selectable
Dynamic Range Bracketing 100%
  200%
  400%
ISO Sensitivity Bracketing ±1/3EV
  ±2/3EV
  ±1EV
White Balance Bracketing ±1
  ±2
  ±3
Focus Bracketing AUTO
  MANUAL
Multiple Exposure Yes (Max. 9 frames)
  Additive
  Average
  Bright
  Dark
Pixel Shift Multi Shot Yes
Focus  
Mode Single AF
  Continuous AF
  MF
Type Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
AF Frame Selection  
Single point AF 13×9 / 25×17 (Changeable size of AF frame)
Zone AF 3×3 / 5×5 / 7×7 / Custom1-3 from 117 areas on 13×9 grid
All Yes
Subject Detection [“Yes (Animal\/Bird\/Automobile\/Motorcycle&Bike\/Airplane\/Train)”]
Flash  
Shoe Mount Flash  
Sync. Mode 1st Curtain
  2nd Curtain
  AUTO FP (HSS)
Flash Mode TTL (TTL AUTO / STANDARD / SLOW SYNC. )
  MANUAL
  MULTI *When EF-X500 is set
  OFF
Synchronized Terminal  
Sync. Mode 1st Curtain
  2nd Curtain
Flash Mode MANUAL
Hot shoe Yes (Dedicated TTL Flash compatible)
Viewfinder  
EVF  
EVF 0.5 inch OLED Color Viewfinder
  Approx. 5.76 million dots
Coverage of Viewing Area vs. Capturing Area Approx. 100%
Eyepoint Approx. 24mm (from the Rear End of the Camera’s Eyepiece)
Diopter Adjustment -5~+3m-1
Magnification 0.84x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View approx. 40° (Horizontal angle of view: approx. 32° )
  Built-In Eye Sensor
LCD monitor 3.2 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor
Aspect Ratio 4:3
Dots Approx. 2.36 million dots
Touch Screen Mode  
Shooting Mode AF
  Focus Area
  OFF
  Double Tap Setting (ON/OFF)
  Touch Function Setting (ON/OFF)
  EVF Touch Screen Area Setting
Playback Mode Swipe
  Pinch-in / Pinch-out
  Double-tap
  Drag
Sub LCD monitor 1.80 inch Monochrome LCD Monitor
Aspect Ratio 4:3
Dots 303×230-dot
Movie recording  
File Format  
MOV Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling)
  Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling)
  Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling)
  HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)
  MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MP4 MPEG-4 AVC/H.264, AAC
Movie Compression All Intra
DCI4K(17:9)  
File size 4096 x 2160
Frame rate 29.97p
  25p
  24p
  23.98p
Bitrate 720Mbps
  360Mbps
  200Mbps
  100Mbps
  50Mbps
4K(16:9)  
File size 3840 x 2160
Frame rate 29.97p
  25p
  24p
  23.98p
Bitrate 720Mbps
  360Mbps
  200Mbps
  100Mbps
  50Mbps
Full HD(17:9)  
File size 2048 x 1080
Frame rate 59.94p
  50p
  29.97p
  25p
  24p
  23.98p
Bitrate 720Mbps
  360Mbps
  200Mbps
  100Mbps
  50Mbps
Full HD(16:9)  
File size 1920 x 1080
Frame rate 59.94p
  50p
  29.97p
  25p
  24p
  23.98p
Bitrate 720Mbps
  360Mbps
  200Mbps
  100Mbps
  50Mbps
Film simulation mode 20 modes
  PROVIA/Standard
  Velvia/Vivid
  ASTIA/Soft
  Classic Chrome
  REALA ACE
  PRO Neg.Hi
  PRO Neg.Std
  Classic Neg.
  Nostalgic Neg.
  ETERNA/Cinema
  ETERNA BLEACH BYPASS
  ACROS
  ACROS + Ye Filter
  ACROS + R Filter
  ACROS + G Filter
  Black & White
  Black & White + Ye Filter
  Black & White + R Filter
  Black & White + G Filter
  Sepia
Monochromatic Color Yes
Grain Effect  
Roughness STRONG, WEAK, OFF
Size LARGE, SMALL
Color Chrome Effect STRONG, WEAK, OFF
Color chrome Blue STRONG, WEAK, OFF
Smooth Skin Effect STRONG, WEAK, OFF
Dynamic range setting  
Still  
Still AUTO / 100% / 200% / 400% 
ISO restriction DR100%: No limit、DR200%: ISO160 or more、DR400%: ISO320 or more
Movie  
Movie 100% / 200% / 400% 
ISO restriction DR100%: No limit、DR200%: ISO200 or more、DR400%: ISO400 or more
White balance  
Auto White Priority
  Auto
  Ambience Priority
Custom Custom1 – 3
Color Temperature Selection 2500K~10000K
Preset Daylight
  Shade
  Fluorescent Light-1
  Fluorescent Light-2
  Fluorescent Light-3
  Incandescent Light
  Underwater
Clarity setting ±5 steps
Self-timer  
Still 10sec.
  2sec.
Movie 10sec.
  5sec.
  3sec.
Interval timer shooting Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode)
Wireless transmitter  
Standard IEEE802.11a/b/g/n/ac (standard wireless protocol)
Encryption WPA/WPA2 mixed mode, WPA3
Access Mode Infrastructure
Bluetooth®  
Standartd Bluetooth Ver. 4.2 (Bluetooth low energy)
Operating Frequency (Center Frequency) 2402〜2480MHz
Terminal  
Digital Interface USB Type-C (USB3.2 Gen2x1)
HDMI Output HDMI Micro connector (Type D)
Others ø3.5mm, stereo mini connector (Microphone)
  ø3.5mm, stereo mini connector (Headphone)
  ø2.5mm, Remote Release Connector
  Hot shoe
  Synchronized terninal
Power supply NP-W235 Li-ion battery (included)
Battery Life For Still Images  
Normal Mode Approx. 530 frames
Notes *Auto power save ON
  *When GF63mmF2.8 R WR is set
Actual Battery Life Of Movie Capture  
4K Approx. 80min. (29.97p)
Full HD Approx. 70min. (59.94p)
Notes *Face detection is set to OFF
Continuance Battery Life Of Movie Capture
4K Approx. 120min. (29.97p)
Full HD Approx. 120min. (59.94p)
Notes *Face detection is set to OFF
  *Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Dimensions  
Width 150.0mm
Height 104.2mm
Depth 87.2mm
(Minimum Depth) 44.0mm
Weight  
Including Battery And Memory Card Approx. 883g
Excluding Battery And Memory Card Approx. 802g
Operation Environment  
Operating Temperature -10℃~+40℃
Operating Humidity 10%~80% (no condensation)
Accessories included Li-ion battery NP-W235
  AC power adapter AC-5VJ
  Plug adapter
  USB cable
  Shoulder strap
  Body cap
  Hot shoe cover
  Memory card slot cover
  Cable protector
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