Atomos Ninja TX GO
by Atomos
Verfügbarkeit:
7-10 days delivery
SKU
ATOMNJTX02
Designed as the HDMI-only companion to the Ninja TX, the Atomos Ninja TX GO 5.2" HDMI Wi-Fi-Enabled Camera Monitor/Recorder from Atomos is a compact on-camera monitor and recorder ideal for use on any set.
998,75 €
799,00 €
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Paket beinhaltet
- Atomos Ninja TX GO 5.2" HDMI Wi-Fi-Enabled Camera Monitor/Recorder
- USB-C Locking Cable Adapter
- HDMI Locking Cable Adapter
- Antenna Tip Set (Black, White, Yellow, Green, Red)
- 2 x Wi-Fi Antenna
- 2 x Antenna Cap
- USB-C PD Locking Cable (17.7")
Designed as the HDMI-only companion to the Ninja TX, the Atomos Ninja TX GO 5.2" HDMI Wi-Fi-Enabled Camera Monitor/Recorder from Atomos is a compact on-camera monitor and recorder ideal for use on any set. New features include HDMI 2.0 input/output, camera control, touch to focus, integrated Connect technology providing Wi-Fi connectivity for TX/RX streaming and direct upload, a brighter 1500 cd/m² touchscreen display, 6K30 ProRes raw recording, recording to CFexpress Type B or USB-C, a tally light, a built-in NDI/HX3 license, and all codecs such as ProRes RAW/DNx/H.265 are now built in.
5.2" Touchscreen Display
The 5.2" IPS touchscreen of the Ninja TX offers a 1920 x 1080 resolution with a brighter 1500 cd/m² display for rich, accurate color precision, even in broad daylight. The 8/10-bit color processing, HDR support, Rec. 709 color gamut, and Calibrite ColorChecker Display Pro/Plus calibration support ensure color-accurate, high-quality monitoring of your footage.
Updated Linux Operating System
Redesigned for the new Ninja TX/TX GO, the AtomOS Linux operating system provides updated tools, a sleeker design, and more efficient, cooler operation.
Wireless Features
With AtomX Connect features now built into the monitor, the Ninja TX GO now has expanded connectivity features.
With its built-in license, the Ninja TX GO can be fully integrated into an NDI environment, either as an NDI source, visible to all other authorized devices on the network, or as an NDI receiver, providing high-quality, low-bandwidth video.
Camera to Cloud
The new Camera to Cloud (C2C) workflow allows you to upload your video files directly from your Atomos monitor-recorder to the cloud. Atomos supports direct progressive upload to their own cloud platform, ATOMOSphere, as well as Adobe Frame.io and Dropbox. Unlike its predecessors, the Ninja TX GO has everything you need for C2C built in.
Comprehensive Color and Metadata
The Ninja TX supports the use of select Sony, ARRI, JVC, RED, FUJIFILM, Nikon, Panasonic, and Canon log formats. Upload custom 3D LUTs to the monitor and output HDR conversion to Log, HLG, PQ, or Dolby Vision formats.
You can record raw metadata such as white balance, exposure index, shutter speed/angle, iris f-stop, ISO, gamma, and gamut.
HDMI Input/Output
HDMI input supports up to 6K30, 4K60, and 1080p120 video.
Loop-through output passes the incoming HDMI signal from the camera to another device, such as an external monitor, wireless transmitter, or live streaming encoder.
Recording/USB Features
The Ninja TX GO features a CFexpress Type B slot and dual USB-C recording outputs supporting ultrafast data transfer rates based on PCIe and NVMe protocols, designed for scalability and futureproofing. In addition to recording directly to storage, the USB-C ports can also be used for calibration, uploading custom 3D LUTs, adding audio devices, and firmware updates.
Power Options
An L-series battery plate on the back of the Ninja TX can support NP-F L-series batteries. An optional battery eliminator can be used to provide DC power to the monitor.
A USB-C port supports 30W PD power delivery with the included cable.
Comprehensive Monitoring Tools
The Ninja TX GO offers a comprehensive suite of simple, one-touch monitoring tools for focus, framing, and exposure, including focus peaking, zoom (2:1, 1:1), zebras, false color (including ARRI and EL Zone), frame guides, SMPTE safe areas, grid markers, waveforms, RGB parade, vectorscope, and flexible 3D/1D LUT support with profile and preset options (including .cube file uploads). It also provides anamorphic de-squeeze monitoring to correct the ratio for anamorphic lens setups.
Control Options
- Multifunction control buttons work in tandem with the touchscreen interface for intuitive onboard control
- Auto HDMI camera trigger is supported by Canon and Sony cameras using the Atomos Open Standard
- LANC control and calibration can be accessed using a separately available USB-C to serial connection cable
- Camera control will be enabled on the monitor after the latest OTA firmware update
| Display | |
| Panel Type | IPS-Type LCD |
| Display Size | 5.2" / 13.2 cm |
| Native Resolution | 1920 x 1080 |
| Aspect Ratio | 16:9 |
| Touchscreen | Yes |
| Maximum Brightness | 1500 nits / cd/m2 |
| Color Support | 1.07 Billion Colors (8-Bit+FRC) |
| HDR Support | Yes: Hybrid Log Gamma |
| Color Gamut | 100% Rec. 709 |
| LUT Support | Yes |
| Image Controls | Anamorphic De-Squeeze, Blue Only, False Color, Focus Peaking, Image Flip, OSD Flip, RGB Parade, Screen Markers, Vectorscope, Waveform, Zebra |
| Inputs/Outputs | |
| Antenna I/O | 2x RP-SMA |
| Video I/O | 1x HDMI 2.0 Input |
| 1x HDMI 2.0 Output | |
| Embedded Audio | HDMI/IP/NDI/USB |
| Audio I/O | 1x 1/8" / 3.5 mm Input |
| 1x 1/8" / 3.5 mm Headphone Output | |
| Built-In Speaker | No |
| Power I/O | 1x USB-C (16.8 VDC) Input |
| Other I/O | 2x USB-C Input/Output [Shared with Firmware/LUT Upload/Record/Power] |
| 1x 2.5 mm (LANC) Input | |
| Media/Memory Card Slot | Single Slot: CFexpress Type B [Record/LUT/Firmware] |
| Wireless | |
| Wi-Fi | Wi-Fi 6E (802.11ax); Dual-Band (2.4 & 5 GHz) |
| Bluetooth | No |
| Mobile App Compatible | Yes: iOS Only |
| App Name: AtomRemote | |
| Format Support | |
| Video Format | HDMI (8/10/16-Bit 4:2:2) |
| 6K Raw: 60 | |
| 3.5K Raw: 60 | |
| DCI 4K: 60/59.94/50/30/29.97/25/24/23.98 | |
| UHD 4K: 60/59.94/50/30/29.97/25/24/23.98 | |
| 1080p: 120/100/60/59.94/50/30/29.97/25/24/23.98 | |
| 1080PsF: 30/29.97/25/24/23.98 | |
| 1080i: 60/59.94/50 | |
| 720p: 60/59.94/50 | |
| Audio Format | 24-Bit |
| Wireless Video Compression | Compressed |
| Timecode Support | Yes |
| Recording | |
| Pulldown Conversion | 2:2, 3:2 |
| Camera Trigger | HDMI |
| Pre-Roll Record | Full HD: 8 Seconds |
| 4K: 2 Seconds | |
| Encoding Formats | x |
| DNxHD 36, 145, 220x | |
| DNxHR HQ, HQX, LB, SQ | |
| ProRes 422, 422 HQ, LT, Raw, Raw HQ | |
| H.265 420, 422, HQ, LQ, MQ | |
| Maximum Audio Tracks | 8 |
| Metadata Tagging | Yes |
| Reference Input | No |
| Power | |
| Input Power | 6.2 to 16.8 VDC |
| Battery | 1x L-Series Mount on Fixed Plate |
| Power Consumption | 30 W |
| Mounting | |
| Tripod/Accessory Mounting | 1x ARRI Anti-Twist 1/4"-20 |
| 2x 3/8"-16 Female | |
| General | |
| Environmental Resistance | No |
| Operating Conditions | Up to 104°F / 40.0°C |
| Material of Construction | Aluminum, Plastic |
| Dimensions | 5.9 x 3.6 x 1.4" / 151 x 92 x 36 mm |
| Weight | 14.1 oz / 400.00 g |
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