Atomos Shogun Studio
by Atomos
Verfügbarkeit:
7-10 days delivery
SKU
ATOMSHSTU01
Atomos Shogun Studio 4K Monitor / Recorder combines two color-calibrated 1920 x 1200 resolution displays with 4K video recording and edit-ready codecs in a 3RU chassis with removable rack mount ears.
4.350,00 €
3.480,00 €
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Paket beinhaltet
- Atomos Shogun Studio 4K Monitor / Recorder 12G-SDI, HDMI
- IEC C14 AC Cable
- 5 x Master Caddies
- Docking Station
- Detachable Rack Ears
The Atomos Shogun Studio 4K Monitor / Recorder combines two color-calibrated 1920 x 1200 resolution displays with 4K video recording and edit-ready codecs in a 3RU chassis with removable rack mount ears. This configuration is well suited for live event, studio, and on-set DIT work. The Shogun Studio utilizes 4K HDMI and 12G-SDI inputs to record clean output signals at resolutions up to UHD 4K (3840 x 2160) at 23.98, 24, 25, 29.97, and 30p, as well as Full HD (1920 x 1080) video up to 120 fps when used with capable cameras. The Shogun records 10-bit, 4:2:2 UHD 4K and HD video to Apple ProRes HQ, 422, or LT formats. It can also record HD video using Avid's DNxHD format and UHD 4K video using Avid's DNxHR. Video is recorded to single or raided 2.5" HDD and SDDs for fast and reliable write speeds.
As a monitor, the Shogun features a 7" IPS capacitive touchscreen display with resolution of 1920 x 1200. It is Rec. 709 color calibrated and supports multi-frequency operation (48/50/60 Hz) for monitoring of a variety of input frame rates. An SDI loop output is available for passing the signal to an additional monitor. As an added convenience, 4K signals can be internally down-converted and output in 1080p at the same frame rate.
The Shogun Studio supports Tally function, custom 3D LUTs, Genlock In for multi-camera syncing. There are also a variety of onscreen tools to help you set up your shots, including a full waveform monitor, RGB parade display, vectorscope, focus peaking, and framing, focus, and exposure assisting tools. With two slots, one for each monitor, for a master recording caddy, you can simultaneously record the signal being fed to each monitor.
- Dual Monitors in a Rackmount Chassis
- The Shogun Studio installs two Shogun monitors in a 3 RU rackmount chassis, with removable rackmount ears. This configuration is suitable for live event, studio, on-set and Broadcast professionals.
- Record UHD 4K & Raw Video
- Bypass your camera's internal compression and record UHD 4K (3840 x 2160) video to Apple ProRes over HDMI or 12G-SDI at 23.98, 24, 25, 29.97, or 30 fps. The 4K-capable HDMI input makes the Shogun particularly useful for recording 4K output signals from cameras such as the Sony a7S and Panasonic GH4.
- 1080p up to 120 fps
- Record up to 120 fps in Full HD (1920 x 1080) for high-resolution slow-motion shots.
- 10-Bit 4:2:2 Recording
- Record in 4:2:2 Apple ProRes or Avid DNxHD or DNxHR formats from your camera's uncompressed SDI or HDMI output, bypassing a round of internal compression and data loss. Uncompressed Cinema DNG Raw 4K video is also supported from capable cameras.
- 7" IPS Touchscreen Monitor with Rec. 709 Color Calibration
- Each of the monitors incorporate a 7" IPS screen features a 1920 x 1200 resolution and provides a wide viewing-angle of 178° for easier off-axis monitoring. Each screen is calibrated to SMPTE Rec. 709 with 100% gamut and D65 white point, letting you monitor your colors with confidence. A standard Canon C-Log calibration is also available for use with Canon EOS Cinema cameras, so you won't have to look at flat, washed-out looking images on set. ON-the-fly re-calibration is available with the Atomos Spyder calibration tool, sold separately.
- 3D LUT Support
- You can preview looks on set thanks to the ability to load 3D LUTs onto the Shogun. Simply load Cube files on an SSD and access via the "Display Options" button on the home screen.
- HDD or SSD Storage
- Record to single or raided 2.5" HDDs or SSDs for faster more reliable write speeds to manage 4K recording. A 2TB raided drive will give your over 5 hours of continuous 4K recording in 4K ProRes 422 HQ.
- Monitoring Tools
- The Shogun offers a comprehensive set of tools to help you set up, focus, and properly exposure your shots. These tools include a full waveform monitor, RGB parade display, luma overlay, vectorscope with zoom, and a test pattern generator for signal calibration. The monitor also provides focus peaking with multiple levels and colors, false color in two modes, and fully adjustable zebra from 0 to 100%.
- Supports Video Playback
- You can review what you've shot thanks to in-device video playback. The touchscreen interface allows you to navigate clips and provides softkeys to play, pause, rewind, and stop footage. Additionally, the playback will display a preview frame of the selected clip in the file browser.
- 4K to HD Down-Conversion
- 4K signals can be internally down-converted and output at 1080p resolution in the same frame rate as the input. This enables secondary monitoring on an HD field monitor, or recording a lower resolution proxy copy to a second recording device
- Start/Stop Trigger
- Trigger record start/stop and record time code straight from the camera with Atomos' HDMI time code trigger protocols from Sony, Canon, and other cameras. Over SDI you have full support of all protocols. You also have control over file naming, for automatic backup and version control of your footage.
Note: The SDI trigger is manufacturer-specific - you will need to select your camera make from the menu to enable
- Optional CFast Adapter
- Record to small, lightweight, and highly reliable CFast media cards using the optional SATA to CFast adaptor.
- Create FCPX XML Projects
- Create Final Cut Pro X XML projects in the field so you are ready to edit straight away. Favorite/reject flags in the metadata let you quickly finding and uploading the best shots into FCPX or Adobe Premiere Pro.
- Genlock Support
- Lock to an external Genlock reference signal to synchronize the Shogun's SDI playout when using multi-camera setups.
- Time Code
- The Shogun lets you synchronize with your camera's time code. Record Run, Free Run, and Time-of-Day time codes are also available for independent external recording.
Display | |
|---|---|
| Screen Size | Dual 7.1" capacitive touch panels |
| Resolution | 1920 x 1200 ppi: 323 |
| Screen Type | IPS LCD |
| Viewing Angle | 179° with 100% sRGB color accuracy |
| Color Gamut | 100% sRGB calibrated to Rec 709 with infinite 3D LUT conversion including BT-2020, DCI-P3 |
| Bit Depth | 8-bit |
| Brightness | 400 cdm² |
| Contrast Ratio | 800:1 |
| Tally Light | Front |
Monitoring | |
|---|---|
| LUT Support | 3D LUT in .CUBE format Internal Storage: 8 custom Luts Upload from External: Unlimited |
| LUT on Output | On screen On output Available to burn in to recorded clip |
Recording | |
|---|---|
| Modes | Pre Roll HD: 8 seconds 4K: 2 seconds 4K to HD Downscale Loop out and Playback Trigger & Timcode for Record LTC input and loop-through, SDI, HDMI, LANC, Timecode, Custom SDI Metadata Tagging Yes |
| Formats | 4K-DCI: 24/25/30p 4K-UHD: 24/25/30p, 1080p: 24/25/30/50/60/120 1080i: 50/60 720p: 50/60 |
| Codecs | ProRes HQ, 422, LT DNxHR - HQX, HQ, SQ, LB DNxHD - 220,145,36 HD Uncompressed V210 DNG Files |
| File Type / Wrapper | .MOV DNG |
| Pull Down | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
| RAW Formats | C500 Sony FS AJA Arri to ProRes DNxHR DNG Uncompressed |
| Resolutions from RAW | 4K, UHD, HD: 120/60 |
| Simultaneous Recording | 4K ProRes & 2K/HD ProRes 4K DNxHR & 2K/HD DNxHD 4K RAW & 2K/HD RAW 2 x 4K/2K/HD ProRes, DNxHR/HD & RAW RAW to ProRes/DNxHR |
| Convert or Duplicate Files | 4K Avid to 4K ProRes 2K/HD Avid to 2K/HD ProRes 4K ProRes to 2K/ProRes 4K ProRes to 2K/HD Avid 4K Avid to 2K ProRes |
Inputs / Outputs | |
|---|---|
| Input | Per Monitor HDMI: 1x HDMI 1.4b up to 12-bit SDI: 1 x 12G/6G/3G/HD Timecode: LTC input and loop-through, SDI, HDMI, Internal REC Run, Time of Day, Auto Restart Genlock Genlock Input for Playout: Black Burst, Tri-Level Sync |
| Output | Per Monitor HDMI: 1 x HDMI (loop-through) SDI: 1 x 12G/6G/3G/HD (loop-through) Timecode: Loop-through, SDI, HDMI, Internal REC Run, Time of Day, Auto Restart |
Drive Specs | |
|---|---|
| Drive Slot | 2 channels |
| Drive Type | Qualified 2.5" drives supplied in Master Caddy |
| Drive Format | exFAT FAT 32 |
| Connections | SATA |
| Hot Swap Support | Yes (between channels) |
Interface | |
|---|---|
| Control Type | AtomOS Capacitive Multi-Touch |
| Front Panel Buttons | Power: 2x (one per monitor) Screen Lock: 2x (one per monitor) |
| Jog/Shuttle | On screen |
| RS422 Remote | Yes |
| Ethernet Control | Remote: Yes (AMP) |
| Scheduling | Yes: Rec / Play |
| Gang Control | Yes |
General | |
|---|---|
| Power | Dual Redundant Power Supplies: IEC c14 PSU FCC, CE, CCC UL, PSE (external Adaptor) |
| Operating Temperature | -22 to 104°F / -30 to 40°C |
| Rack Height | 3 RU |
| Dimensions | 19 x 5.2 x 8" / 482 x 132 x 202 mm |
| Weight | 8.2 lb / 3.7 kg |
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