Blackmagic Design URSA Cine 12K LF + EVF

by Blackmagic Design
Verfügbarkeit: 7-10 days delivery

Blackmagic Design URSA Cine 12K LF + Blackmagic URSA Cine EVF.

19.243,75 € 15.395,00 €

Paket beinhaltet

  • Blackmagic Design URSA Cine 12K LF Camera with EVF Kit (PL Mount)
  • Blackmagic Design URSA Cine EVF
  • URSA Cine EF Mount
  • Screw Set for EF Mount
  • Media Module (8TB)
  • URSA Cine Handle
  • URSA Cine Top Rod Mount (15mm)
  • Blackmagic Design 19mm Baseplate for URSA Cine 12K
  • Folding Screen Hood for 5" LCD
  • URSA Cine Battery Plate (B-Mount)
  • Wi-Fi Antenna Set
  • URSA Cine PL Body Cap
  • URSA Cine EF Body Cap
  • Rubber Cap Set for Connectors
  • 24 VDC 250W Power Supply
  • DaVinci Resolve Studio Activation Key
  • Blackmagic Sticker
  • Pelican 1560 Case with Custom-Cut Foam

Blackmagic Design URSA Cine 12K LF

Blackmagic URSA Cine is a revolutionary digital film camera that introduces new advanced digital film technology combined with total integration into the post production workflow. That means it's the first digital film camera with fast high capability storage built in, plus high speed networking for on set media sync. Blackmagic URSA Cine also introduces a new large format RGBW 36 x 24mm image sensor with larger photo-sites for incredible dynamic range. You can also swap between PL, LPL, EF and Hasselblad lens mounts. There's even WiFi with SRT streaming for remote client viewing. Plus the industry standard Lemo and Fischer connections make it perfect for high end cinema production.

Cinematic Large Format Sensor

URSA Cine features a revolutionary new sensor designed for incredible quality images at all resolutions from 4K to a massive 12K! The larger sensor builds on the technology of URSA Mini Pro 12K with larger photo-sites leading to an astounding 16 stops of dynamic range. The unique RGBW architecture provides equal amounts of red, green and blue pixels. This means it is optimized to deliver incredibly rich colors at all resolutions and provide the ultimate in image quality and flexibility. Now you can capture more detail with a wider dynamic range than ever before! Plus, in sensor scaling means you can record at all resolutions without cropping!

A Camera Body Optimized for High End Productions!

URSA Cine is designed to meet the demands of any high end production. The evenly weighted camera body is built with a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin to help you move quickly on set. Soft touch backlit buttons make controls easy to see in all conditions. There’s a 5″ fold out touchscreen for reviewing shots and accessing camera settings, plus a dedicated assist station on the other side of the camera, with 5″ LCD and full camera controls! Standard Lemo and Fischer connectors let you control the camera remotely while providing power for lens motors and other accessories. You also get 12G‑SDI out, 10G Ethernet, USB-C, XLR audio and more!

Large Format Flexibility

The large format sensor in URSA Cine provides the ultimate in flexibility for aspect ratios, lenses and delivery formats! The full sensor area gives you a stunning 3:2 open gate image which lets you reframe your shots in post production. Or you can use the large sensor area to shoot anamorphic and deliver in a range of aspect ratios with 1.3, 1.5, 1.6, 1.66, 1.8 and 2x de-squeeze factors. Plus, you can shoot in 4K, 8K or 12K using the entire sensor without cropping, retaining the full field of view of your lenses. There are even 9K Super 35 4-perf, 3-perf and 2-perf modes for full compatibility with classic cinema lenses. All this lets you create distinctive content in the highest quality!

Interchangeable Lens Mounts

Different projects require different lenses which is why URSA Cine features an interchangeable lens mount. You can quickly switch between PL, LPL, EF and Hasselblad mounts. That means you can work with PL or LPL cinema lenses, EF or large format Hasselblad photographic lenses, making URSA Cine compatible with the widest possible range of professional lenses. Imagine using modern high speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses next! Plus, each mount has contact pins to read lens metadata for monitoring and for use in post production. With URSA Cine, you have the freedom to choose the lens you need for any kind of work!

High Resolution Monitoring and Camera Control

URSA Cine lets crews work faster on set with multiple monitoring options! The fold out monitor has a large 5″ HDR touchscreen on one side and an external color status LCD on the other. You can even rotate the screen and fold it back into the camera! On the right side of the camera, there’s a dedicated assist station with a second 5″ HDR touchscreen which allows crew to work around the camera without needing external monitors. Plus, with a 1500 nit display and removable sunshade, it’s always visible, even in bright sunlight. On screen overlays show status and record parameters, histogram, frame guides and more. There’s even a dedicated focus puller’s mode to help you get perfect focus!

Rugged Industry Standard Connections

The wide range of industry standard connections on URSA Cine make it perfect for high end cinema production. The 7 pin Lemo and 3 pin Fischer connectors at the front provide record start/stop and 24V power so are ideal for on board accessories such as focus motors. Camera power is provided by a standard 24V 8 pin Lemo connection, plus there's an additional 2 pin Lemo 12V connection at the rear for lower voltage accessories. All this means you can power accessories straight from the camera without messy external cabling! There are also two independent 12G-SDI outputs for monitoring on 2 different monitors with different overlays, plus 10G Ethernet for Blackmagic Cloud media syncing!

Blackmagic RAW Fueled Image Capture

Blackmagic RAW is a revolutionary format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production. Constant quality options lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options are designed to give you the best possible images with predictable and consistent file size. URSA Cine records to the included Blackmagic Media Module 8TB, allowing you to capture over 4 hours of Blackmagic RAW in 12K or a massive 20 hours in 4K!

Generation 5 Color Science

Blackmagic Generation 5 Color Science features a new film curve designed to make full use of the massive amount of color data from the new URSA Cine sensor. This delivers even better color response for more pleasing skin tones, and better rendering of highly saturated colors such as neon signs and car tail lights in high contrast scenes. Generation 5 Color Science informs complex Blackmagic RAW image processing, with color and dynamic range data from the sensor preserved via metadata for use in post production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Color Science lets you take advantage of the new film curve even with your existing work!

Built in Optical Low Pass Filter

The high frequencies of synthetic materials like fabrics or the LED matrix in video walls can cause problems for ultra sharp modern lenses and high resolution sensors, creating interference patterns. Using an optical low pass filter minimizes that interference, which results in a reduction of moire and aliasing. URSA Cine includes a high performance, optical low pass filter that is precisely matched to the sensor. The OLPF also incorporates updated IR filtering that improves far red color response which, when combined with Blackmagic RAW processing for the URSA Cine, preserves color and critical image detail for new levels of image fidelity.

Built in Color Balanced ND Filters

URSA Cine features high quality ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, 4 and 6 stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer. URSA Cine ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. Filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD!

Full Frame Capture at Higher Frame Rates

URSA Cine is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K, Super 35 9K and even insanely detailed 12K! You can shoot 100 fps in 12K 12,288 x 6480 17:9 or 120 fps in 12K 2.4:1 widescreen! For higher frame rates, you can shoot 144 fps at 8192 x 5360, 180 fps at 8192 x 3408 and even capture 8K 2.4:1 widescreen at an incredible 224 fps at 8,192 x 3,408! URSA Cine has flexible frame rate and resolution options, and captures with incredible motion rendering with smoother edges in 8K and 4K, even at lower frame rates. Plus, with a massive 100 megapixels per frame at up to 80 fps in Blackmagic RAW, you can capture perfect stills and motion shots at the same time!

High Performance Internal Media for Recording

URSA Cine is the first digital film camera with ultra fast high capability Cloud Store technology built in. Blackmagic Media Module is fast, rugged and includes a massive 8TB of storage. It’s like a Cloud Store Mini built into your camera! The high speed storage lets you record at the highest resolutions and frame rates for hours and access your files directly over high speed 10G Ethernet. Or you can use the media you already own with the optional Blackmagic Media Module CF, which has dual CFexpress slots. The module can be easily removed from the camera and loaded into a Blackmagic Media Dock for transferring media to a network or to Blackmagic Cloud for instant global collaboration!

Eliminate Media Offload Time

Blackmagic Media Dock accelerates your post production workflow by making it faster and simpler to start editing and color correction! Mount up to three Blackmagic Media Modules for high speed access to media from multiple URSA Cine cameras all at the same time! The four high speed 10G Ethernet ports allow up to four separate edit workstations to connect directly and it is extremely fast, even when a lot of users are connected at the same time. Plus, the USB-C connection supports Ethernet so you can transfer media using a simple USB-C cable connected to your computer. There is also an HDMI output that lets you see the status of your media in real time on a TV or monitor.

Deliver Clips Directly into DaVinci Resolve Bins

URSA Cine supports creating a small H.264 proxy file in addition to the camera original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible! Any editor working anywhere in the world will get the shots! If you have multiple cameras, then the new multi source feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post production workflows!

Three Simple Steps!

1. Record to Internal Storage

You can record to the internal Blackmagic Media Module. This will allow you to browse the clips and let the camera sync your media files to other users globally.

2. Select and Upload Clips

If you're offline, then later when you have internet access you can browse media and manually select which clips you want to upload to Blackmagic Cloud.

3. Record into DaVinci Resolve

Log into Blackmagic Cloud and select a DaVinci Resolve project before recording. After each individual recording the media will automatically upload and sync to all DaVinci users on that project.

Connect to Mobile Data, High Speed Wifi or Ethernet!

When live streaming or uploading to Blackmagic Cloud, you can connect and use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and URSA Cine will configure for mobile data. Plus it works with the latest high speed 5G phones, as well as 4G! You can also connect via high speed wifi or wired Ethernet using the 10G Ethernet port. With live streaming built into the camera, you get the solution you need for clients and post production to monitor shoots from anywhere in the world! That's a truly global post production solution that works with Blackmagic Cloud to create amazing teams of creative people all working together.

Live Stream Directly to Your Client

Now you can live stream from film sets! URSA Cine features a built hardware streaming engine that supports RTMP and SRT streaming to major platforms or directly to clients! Simply connect to the internet via Ethernet, high speed wifi or even connect a 4G or 5G phone for mobile data! As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD! If you want to create a wireless link back to video village or the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now everyone can keep an eye on the shoot, live, while it's happening!

High Resolution Viewfinder for Accurate Focus

URSA Cine supports the optional Blackmagic URSA Cine EVF to make outdoors and handheld shooting accurate and easy! You get an integrated high quality 1920 x 1080 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included viewfinder bracket and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups.

Compatible with Industry Standard Batteries and Power

URSA Cine includes an 8-pin Lemo power connector at the back of the camera that works with 24V and 12V power supplies. That means it’s easy to use the camera with existing power supplies, batteries and accessories! The front of the camera includes additional Lemo and Fischer connectors for powering lens motors and other accessories. URSA Cine comes with a massive 250W power supply and B Mount battery plate so you can use a wide range of high voltage batteries from manufacturers such as IDX, Blueshape, Core SWX, BEBOB and more. You can also add the optional Blackmagic URSA Cine VLock Battery Plate or Blackmagic URSA Cine Gold Battery Plate for using legacy V‑Mount and Gold Mount batteries.

Powered by Blackmagic OS

With advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. URSA Cine features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!

Digital Slate for Fast Metadata Entry

URSA Cine features a digital slate so you can quickly add metadata to any shot! Simply swipe left or right on the built in touchscreen to bring up the digital slate. If you start and stop recording the slate can automatically increment the take numbers so you don’t have to enter them manually for each shot! You can also set your reel numbers to increment automatically each time you format a card. Lens metadata is automatically populated or it can be entered manually, along with production specific information, technical information and more! All of the metadata is saved with the files for use in post production when editing and color correcting with software such as DaVinci Resolve!

Wireless Bluetooth Camera Control

If you're positioning the camera on the end of a jib or gimbal, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!

Localized in 13 Popular Languages

URSA Cine is designed to be used worldwide and supports 13 different languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide! When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language.

Includes DaVinci Resolve Studio

URSA Cine includes a full version of DaVinci Resolve Studio. You get the world’s most advanced solution that combines professional editing, color correction, audio post and visual effects all in one software tool! DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, color correction, effects, audio and delivery.

Comes Ready to Shoot

URSA Cine comes with everything you need to get started on set! Every camera comes in a rugged Pelican case with custom foam cutouts that precisely and securely fit the camera and its accessories. The PL lens mount comes preinstalled on the camera body, plus you get an interchangeable locking EF mount for a strong and secure attachment when using heavier cine lenses. You even get a massive 8TB Media Module preinstalled, formatted and ready to record. That’s enough for over 4 hours of stunning 12K! You also get a top handle, antennas for high speed wifi, baseplate, 24V power supply and high voltage B mount battery plate for quick set up. There’s even a kit that comes with the URSA Cine EVF!

Blackmagic URSA Cine EVF

Blackmagic URSA Cine EVF makes outdoors and handheld shooting with your Blackmagic URSA Cine or Blackmagic PYXIS digital film camera easy! You get a high quality 1920 x 1080 color OLED display with 4 element glass diopter for incredible accuracy with a wide focus adjustment, assignable function buttons and more. URSA Cine EVF is easy to set up with a single USB-C cable connection for video, power and camera control and can be position in multiple different ways. It also includes an extension arm to position it on a dolly or geared head.

Blackmagic Design URSA Cine 12K   
Effective Sensor Size 35.64mm x 23.32mm (Large Format)
Lens Mount PL mount. Interchangeable with URSA Cine lockable EF mount included.
Lens Control Active EF and PL mount lens control with compatible lenses.
Dynamic Range 16 Stops
Shooting Resolutions 12,288 x 8040 (12K 3:2 open gate)
  12,288 x 6480 (12K 16:9)
  12,288 x 6912 (12K 17:9)
  12,288 x 5112 (12K 2.4:1)
  9648 x 8040 (12K 6:5)
  9408 x 6264 (9K 3:2)
  8688 x 4896 (9K 16:9)
  9312 x 4896 (9K 17:9)
  9312 x 3864 (9K 2.4:1)
  7680 x 6408 (9K 6:5)
  8192 x 5360 (8K 3:2 open gate)
  8192 x 4608 (8K 16:9)
  8192 x 4320 (8K 17:9)
  8192 x 3408 (8K 2.4:1)
  6432 x 5360 (8K 6:5)
  4096 x 2680 (4K 3:2 open gate)
  4096 x 2304 (4K 16:9)
  4096 x 2160 (4K 17:9)
  4096 x 1704 (4K 2.4:1)
  3216 x 2680 (4K 6:5)
Frame Rates Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Maximum sensor frame rate dependent on resolution selected.
High Speed Frame Rates 12K 3:2 open gate up to 80 fps
  12K 17:9 up to 100 fps
  12K 2.4:1 up to 120 fps
  9K 3:2 Super 35 up to 100 fps
  8K / 4K 3:2 open gate up to 144 fps
  8K / 4K 2.4:1 up to 224 fps
Built in ND Filters Button activated ND filters with clear, 2-stop, 4-stop and 6-stop IR ND filters.
Focus Focus button turns on peaking, auto focus available using compatible lenses.
Iris Control Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode.
Screens 2 x Monitoring Screens
  1 x Camera Status Screen
Monitoring Screen Dimensions 5 inch.
Monitoring Screen Resolution 1920px x 1080px
Monitoring Screen Brightness 1500 nits.
Monitoring Screen Type LCD capacitive touchscreen
Metadata Support Automatically populated lens data from i/Technology with compatible PL, LPL lenses and electronic EF lenses when using optional EF lens mount. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Controls Touchscreen menus on 5 inch screen. Push buttons for other controls. 7 assignable shortcut keys plus 6 assignable shortcut keys on URSA Cine EVF.
Timecode Clock Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
Total Video Outputs 2
SDI Rates 1.5G, 3G, 6G, 12G.
Analog Audio Inputs 2 x XLR analog switchable between mic, line and AES audio. Phantom power support.
Analog Audio Outputs 1 x 3.5mm headphone jack
Reference Inputs Tri-Sync/Black Burst and Timecode.
Viewfinder 1 x Viewfinder USB-C with power, data, video and locking connector.
Accessories 1 x 7-pin Lemo ‘EXT’ for power out, serial communication, and run/stop.
  1 x 3-pin Fischer ‘RS’ for power out and run/stop.
Computer Interface 2 x USB Type-C side expansion ports for camera accessories.
  Software updates using rear side USB-C.
Ethernet 1 x 10Gb/s RJ‑45 connector supporting 10/100/1000/10G BASE-T for Web Media Management, Blackmagic Cloud uploads, camera control and streaming.
Microphone Integrated stereo microphone.
Built in Speaker 1 x mono speaker.
SD Video Standards None
HD Video Standards 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60
Ultra HD Video Standards 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SDI Compliance SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1
SDI Audio Sampling 48 kHz and 24 bit
Media 1 x Blackmagic Media Module.
Media Format Blackmagic
Supported Codecs  
Codecs Blackmagic RAW Constant Bitrate 3:1,
  Blackmagic RAW Constant Bitrate 5:1,
  Blackmagic RAW Constant Bitrate 8:1,
  Blackmagic RAW Constant Bitrate 12:1,
  Blackmagic RAW Constant Bitrate 18:1,
  Blackmagic RAW Constant Quality Q0,
  Blackmagic RAW Constant Quality Q1,
  Blackmagic RAW Constant Quality Q3,
  Blackmagic RAW Constant Quality Q5.
  H.264 Proxy in 1920 x 1080, 8-bit 4:2:0
External Control Blackmagic URSA Cine EVF can trigger record plus camera functions assigned to the VF1, VF2, VF3, Zoom, Exp and Record buttons. External Camera Control supported using REST API over Ethernet, WiFi or serial communication via the 7-pin Lemo connector. Run / Stop supported via 3-pin Fischer and 7-pin Lemo connector. Blackmagic iPad control and Bluetooth control supported. Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling camera and compatible lenses.
Direct Streaming Supports Secure Reliable Transport (SRT) and Real Time Messaging Protocol (RTMP) local live streaming using a Ethernet or WiFi, or global live streaming using an internet connection via Ethernet, WiFi or USB‑C cellular data.
Network Management  
NTP Network time protocol support allows you to sync the time on your camera, whenever connected to a network with any NTP server of your choice.
FTP Download files from any drive attached to your camera using FTP.
Web Media Manager Using a browser connected over Ethernet, web media manager allows you to access, browse, download and delete files from any drive connected to the camera.
SMB File sharing using SMB
Storage Features  
Storage Type 1 x Blackmagic Media Module 8TB
Storage Rates Storage rates based on 24 frames per second.
  12K - 12,288 x 8040
  Blackmagic RAW 3:1 - 1,194 MB/s
  Blackmagic RAW 8:1 - 448 MB/s
  Blackmagic RAW 12:1 - 298 MB/s
  Blackmagic RAW 18:1 - 199 MB/s
  Blackmagic RAW Q0 - 298 to 1,432 MB/s
  Blackmagic RAW Q1 - 179 to 716 MB/s
  Blackmagic RAW Q3 - 119 to 298 MB/s
  Blackmagic RAW Q5 - 90 to 224 MB/s
  9K - 9408 x 6264
  Blackmagic RAW 3:1 - 713 MB/s
  Blackmagic RAW 8:1 - 268 MB/s
  Blackmagic RAW 12:1 - 178 MB/s
  Blackmagic RAW 18:1 - 119 MB/s
  Blackmagic RAW Q0 - 178 to 856 MB/s
  Blackmagic RAW Q1 - 107 to 428 MB/s
  Blackmagic RAW Q3 - 71 to 178 MB/s
  Blackmagic RAW Q5 - 54 to 134 MB/s
  8K - 8192 x 5360
  Blackmagic RAW 3:1 - 533 MB/s
  Blackmagic RAW 5:1 - 320 MB/s
  Blackmagic RAW 8:1 - 200 MB/s
  Blackmagic RAW 12:1 - 133 MB/s
  Blackmagic RAW Q0 - 133 to 319 MB/s
  Blackmagic RAW Q1 - 80 to 200 MB/s
  Blackmagic RAW Q3 - 53 to 133 MB/s
  Blackmagic RAW Q5 - 40 to 100 MB/s
  4K - 4096 x 2680
  Blackmagic RAW 3:1 - 135 MB/s
  Blackmagic RAW 4:1 - 101 MB/s
  Blackmagic RAW 5:1 - 81 MB/s
  Blackmagic RAW 6:1 - 68 MB/s
  Blackmagic RAW Q0 - 34 to 81 MB/s
  Blackmagic RAW Q1 - 20 to 50 MB/s
  Blackmagic RAW Q3 - 13 to 34 MB/s
  Blackmagic RAW Q5 - 10 to 25 MB/s
Recording Formats Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at full sensor width or height resolutions:
  [12,288 x 8,040], [12,288 x 6,912], [12,288 x 6,480], [12,288 x 5,112] and [9,648 x 8,040]
  with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
  Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at Super 35 windowed sensor resolutions:
  [9,408 x 6,264], [8,688 x 4,896], [9,312 x 4,896], [9,312 x 3,864] and [7,680 x 6,408]
  with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
  Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to:
  [8,192 x 5,360], [8,192 x 4,608], [8,192 x 4,320], [8,192 x 3,408] and [6,432 x 5,360]
  with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
  Blackmagic RAW 3:1, 4:1, 5:1, 6:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to:
  [4,096 x 2,680], [4,096 x 2,304], [4,096 x 2,160], [4,096 x 1,704] and [3,216 x 2,680]
  with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
  Constant Quality Rates for 12K and 9K are: Q0 12:1 - 2.5:1, Q1 20:1 - 5:1, Q3 30:1 - 12:1, Q5 40:1 - 16:1
  Constant Quality Rates for 8K and 4K are: Q0 12:1 - 5:1, Q1 20:1 - 8:1, Q3 30:1 - 12:1, Q5 40:1 - 16:1
  Actual storage rates are dependent on image subject matter.
Software Included URSA Cine Blackmagic OS
  DaVinci Resolve Studio for Mac and Windows including activation key
  Blackmagic Camera Setup
  Blackmagic RAW Player
  Blackmagic RAW QuickLook Plugin
  Blackmagic RAW SDK
Operating Systems Mac 13.0 Ventura,
  Mac 14.0 Sonoma or later.
  Windows 10 and 11.
Power Requirements  
Power Supply +24V DC external power supply 100 - 240 AC 50/60Hz compatible with IEC C14 socket.
  Molex connector for rear battery plate.
External Power Input 1 x 8 pin socket for external power or battery use.
  B-Mount battery plate.
Power Output 1 x 7-pin Lemo with +12V DC or +24V DC power output depending on camera supply.
  1 x 3-pin Fischer with +12V DV or +24V DC power output depending on camera supply.
  B-Mount battery plate with 2-pin Lemo +12V regulated output from camera.
Environmental Specifications  
Operating Temperature 0° to 40°C (32° to 104°F)
Storage Temperature -20° to 45°C (-4° to 113°F)
Relative Humidity 0% to 90% non-condensing
Blackmagic URSA Cine EVF  
Video Inputs USB-C
Power Input USB-C
Data Input / Output USB-C
Computer Interface USB-C for software updates.
Display Resolution Full 1920 x 1080.
Frame Rates Up to 60fps
Display Type OLED
Display Pixels 6.22 Million Pixels
Color Precision SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 425M 2084.
Focus 4 Element diopter.
Diopter Range -5 to +5
Controls Record button, Exposure Button, Zoom Button, 3 x assignable VF buttons.
Overlays Built in overlay display processor and top mounted buttons.
Eyepiece Can be tilted vertically and extended for left or right eye use.
Tally LED tally light.
Mounting Options Fully adjustable EVF mounting kit included. Blackmagic URSA Cine Handle is required for mounting to Blackmagic URSA Cine and Blackmagic PYXIS 6K cameras. Blackmagic URSA Cine EVF Extension compatible with standard extended viewfinder supports.
Metadata Support Displays and sends camera data and settings over USB to Blackmagic URSA Cine and Blackmagic PYXIS 6K cameras.
Operating Systems Mac 13.0 Ventura,
  Mac 14.0 Sonoma or later.
  Windows 10 and 11.
Power Requirements Powered over USB-C.
Environmental Specifications  
Operating Temperature 0° to 40° C (32° to 104° F)
Storage Temperature -20° to 60° C (-4° to 140° F)
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