DZOFILM Arles Prime 18/25/35/50/75/100mm (PL_Black_Case_6pcs_Imperial)
by DZOFilm
Verfügbarkeit:
14-20 days delivery
SKU
DZO-SAP6IPL
The DZOFilm Arles FF/VV Prime Cine 6-Lens Set comprises six popular focal lengths designed to capture immersive images and rich detail. This ARRI PL-mount full-frame/VistaVision set comprises 18, 25, 35, 50, 75, and 100mm plus a hard lens case. All the lenses share similar gearing, iris blades, front diameters, and aperture ranges for easy switching.
11.873,75 €
9.499,00 €
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Paket beinhaltet
- DZOFilm Arles 18mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
- Front Cap
- Rear Cap
- Support Rod
- Support Base
- Shim Set
- DZOFilm Arles 25mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
- Front Cap
- PL Rear Cap
- Shim Set
- Support Base
- Support Rod
- DZOFilm Arles 35mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
- Front Cap
- PL Rear Cap
- Shim Set
- Support Base
- Support Rod
- DZOFilm Arles 50mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
- Front Cap
- PL Rear Cap
- Shim Set
- Support Base
- Support Rod
- DZOFilm Arles 75mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
- Front Cap
- PL Rear Cap
- Shim Set
- Support Base
- Support Rod
- DZOFilm Arles 100mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
- Front Cap
- PL Rear Cap
- Shim Set
- Support Base
- Support Rod
- Hard Case
DZOFilm Arles 18mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the Arles 18mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
Large-Format Coverage
- The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
- The resulting increase in light transmission creates enhanced depth and dimension in your images.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, lower contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
Minimal Breathing and Aberration
- Floating elements minimize breathing during focus shifts.
- The inclusion of aspherical elements helps to improve low-light capture.
- Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
Consistency Across Series
A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
DZOFilm Arles 25mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the Arles 25mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
Large-Format Coverage
- The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
- The resulting increase in light transmission creates enhanced depth and dimension in your images.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, low-contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
Minimal Breathing and Aberration
- Floating elements minimize breathing during focus shifts.
- The inclusion of aspherical elements helps to improve low-light capture.
- Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
Consistency Across Series
A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
DZOFilm Arles 35mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the Arles 35mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
Large-Format Coverage
- The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
- The resulting increase in light transmission creates enhanced depth and dimension in your images.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, low-contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
Minimal Breathing and Aberration
- Floating elements minimize breathing during focus shifts.
- The inclusion of aspherical elements helps to improve low-light capture.
- Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
Consistency across Series
A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 80° for intuitive manual adjustments.
DZOFilm Arles 50mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the Arles 50mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
Large-Format Coverage
- The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
- The resulting increase in light transmission creates enhanced depth and dimension in your images.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, low-contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
Minimal Breathing and Aberration
- Floating elements minimize breathing during focus shifts.
- The inclusion of aspherical elements helps to improve low-light capture.
- Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
Consistency across Series
A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
DZOFilm Arles 75mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the Arles 75mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
Large-Format Coverage
- The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
- The resulting increase in light transmission creates enhanced depth and dimension in your images.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, low-contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
Minimal Breathing and Aberration
- Floating elements minimize breathing during focus shifts.
- The inclusion of aspherical elements helps to improve low-light capture.
- Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
Consistency Across Series
A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 82° for intuitive manual adjustments.
DZOFilm Arles 100mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the Arles 100mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
Large-Format Coverage
- The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
- The resulting increase in light transmission creates enhanced depth and dimension in your images.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, low-contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
Minimal Breathing and Aberration
- Floating elements minimize breathing during focus shifts.
- The inclusion of aspherical elements helps to improve low-light capture.
- Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
Consistency Across Series
A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 90° for intuitive manual adjustments.
| DZOFilm Arles 18mm T1.4 FF/VV Prime Cine Lens (ARRI PL) | |
| Focal Length | 18mm |
| Maximum Aperture | T1.4 |
| Lens Mount | ARRI PL |
| Lens Format Coverage | Full-Frame (46.5 mm Image Circle) |
| Filter Thread | No |
| Image Stabilization | No |
| Electronic Communication | No |
| Maximum Aperture | T1.4 |
| Minimum Aperture | T22 |
| Lens Mount | ARRI PL |
| Lens Format Coverage | Full-Frame (46.5 mm Image Circle) |
| Angle of View | Full Frame |
| Horizontal: 97° | |
| Diagonal: 61° | |
| Vertical: 104° | |
| Focus Scales | Metric, Imperial |
| Optical Design | 15 Elements in 13 Groups |
| Filter Thread | No |
| Minimum Focus Distance | 11.4" / 29 cm |
| Aperture/Iris Blades | 16 |
| Image Stabilization | No |
| Lens Mounting | No |
| Gear Standard | Focus, Iris: 0.8 MOD |
| Gear Rotation | Focus: 270° |
| Iris: 76° | |
| Electronic Communication | No |
| Diameter | Front: 3.7" / 95 mm |
| Length | 4.8" / 121 mm |
| Weight | 3.66 lb / 1.66 kg |
| DZOFilm Arles 25mm T1.4 FF/VV Prime Cine Lens (ARRI PL) | |
| Focal Length | 25mm |
| Maximum Aperture | T1.4 |
| Lens Mount | Interchangeable Mount with Included ARRI PL |
| Lens Format Coverage | Full-Frame (46.5 mm Image Circle) |
| Filter Thread | 86 mm |
| Image Stabilization | No |
| Electronic Communication | No |
| Maximum Aperture | T1.4 |
| Minimum Aperture | T22 |
| Lens Mount | Interchangeable Mount with Included ARRI PL |
| Lens Format Coverage | Full-Frame (46.5 mm Image Circle) |
| Angle of View | Full Frame |
| Horizontal: 80.36° | |
| Vertical: 47.28° | |
| Diagonal: 87.44° | |
| Focus Scales | Metric, Imperial |
| Optical Design | 14 Elements in 12 Groups |
| Filter Thread | 86 mm |
| Minimum Focus Distance | From Camera Sensor: 13.8" / 35 cm |
| Aperture/Iris Blades | 16 |
| Image Stabilization | No |
| Gear Standard | Focus, Iris: 0.8 MOD |
| Gear Rotation | Focus: 270° (Manual Only) |
| Iris: 77° (Manual Only) | |
| Electronic Communication | No |
| Diameter | Front: 3.7" / 95 mm |
| Length | 4.8" / 121 mm |
| Weight | 3.28 lb / 1.49 kg |
| DZOFilm Arles 35mm T1.4 FF/VV Prime Cine Lens (ARRI PL) | |
| Focal Length | 35mm |
| Maximum Aperture | T1.4 |
| Lens Mount | ARRI PL |
| Lens Format Coverage | Full-Frame (46.5 mm Image Circle) |
| Filter Thread | 86 mm |
| Image Stabilization | No |
| Electronic Communication | No |
| Maximum Aperture | T1.4 |
| Minimum Aperture | T22 |
| Lens Mount | ARRI PL |
| Lens Format Coverage | Full-Frame (46.5 mm Image Circle) |
| Angle of View | Full Frame |
| Horizontal: 61.1° | |
| Vertical: 34.23° | |
| Diagonal: 67.15° | |
| Focus Scales | Metric, Imperial |
| Optical Design | 14 Elements in 12 Groups |
| Filter Thread | 86 mm |
| Minimum Focus Distance | From Camera Sensor: 13.78" / 0.35 m |
| Aperture/Iris Blades | 16 |
| Image Stabilization | No |
| Gear Standard | Focus, Iris: 0.8 MOD |
| Gear Rotation | Focus: 270° (Manual Only) |
| Iris: 80° (Manual Only) | |
| Electronic Communication | No |
| Diameter | Front: 3.7" / 95 mm |
| Length | 4.8" / 121 mm |
| Weight | 3.64 lb / 1.65 kg |
| DZOFilm Arles 50mm T1.4 FF/VV Prime Cine Lens (ARRI PL) | |
| Focal Length | 50mm |
| Maximum Aperture | T1.4 |
| Lens Mount | ARRI PL |
| Lens Format Coverage | Full-Frame (46.5 mm Image Circle) |
| Filter Thread | 86 mm |
| Image Stabilization | No |
| Electronic Communication | No |
| Maximum Aperture | T1.4 |
| Minimum Aperture | T22 |
| Lens Mount | ARRI PL |
| Lens Format Coverage | Full-Frame (46.5 mm Image Circle) |
| Angle of View | Full Frame |
| Horizontal: 45.17° | |
| Vertical: 24.61° | |
| Diagonal: 50.23° | |
| Focus Scales | Metric, Imperial |
| Optical Design | 13 Elements in 9 Groups |
| Filter Thread | 86 mm |
| Minimum Focus Distance | From Camera Sensor: 19.7" / 0.5 m |
| Aperture/Iris Blades | 16 |
| Image Stabilization | No |
| Gear Standard | Focus, Iris: 0.8 MOD |
| Gear Rotation | Focus: 270° (Manual Only) |
| Iris: 80° (Manual Only) | |
| Electronic Communication | No |
| Diameter | 3.7" / 95 mm |
| Length | 4.8" / 121 mm |
| Weight | 3.7 lb / 1688 g |
| DZOFilm Arles 75mm T1.4 FF/VV Prime Cine Lens (ARRI PL) | |
| Focal Length | 75mm |
| Maximum Aperture | T1.4 |
| Lens Mount | ARRI PL |
| Lens Format Coverage | Full-Frame (46.5 mm Image Circle) |
| Filter Thread | 86 mm |
| Image Stabilization | No |
| Electronic Communication | No |
| Maximum Aperture | T1.4 |
| Minimum Aperture | T22 |
| Lens Mount | ARRI PL |
| Lens Format Coverage | Full-Frame (46.5 mm Image Circle) |
| Angle of View | Full Frame |
| Horizontal: 30.45° | |
| Vertical: 16.35° | |
| Diagonal: 34.1° | |
| Focus Scales | Metric, Imperial |
| Optical Design | 13 Elements in 9 Groups |
| Filter Thread | 86 mm |
| Minimum Focus Distance | From Camera Sensor: 2.46' / 0.75 m |
| Aperture/Iris Blades | 16 |
| Image Stabilization | No |
| Gear Standard | Focus, Iris: 0.8 MOD |
| Gear Rotation | Focus: 270° (Manual Only) |
| Iris: 82° (Manual Only) | |
| Electronic Communication | No |
| Diameter | 3.7" / 95 mm |
| Length | 4.8" / 121 mm |
| Weight | 3.66 lb / 1.66 kg |
| DZOFilm Arles 100mm T1.4 FF/VV Prime Cine Lens (ARRI PL) | |
| Focal Length | 100mm |
| Maximum Aperture | T1.4 |
| Lens Mount | ARRI PL |
| Lens Format Coverage | Full-Frame (46.5 mm Image Circle) |
| Filter Thread | 86 mm |
| Image Stabilization | No |
| Electronic Communication | No |
| Maximum Aperture | T1.4 |
| Minimum Aperture | T22 |
| Lens Mount | ARRI PL |
| Lens Format Coverage | Full-Frame (46.5 mm Image Circle) |
| Angle of View | Full Frame |
| Horizontal: 23.12° | |
| Vertical: 12.34° | |
| Diagonal: 25.96° | |
| Focus Scales | Imperial |
| Optical Design | 13 Elements in 8 Groups |
| Filter Thread | 86 mm |
| Minimum Focus Distance | From Camera Sensor: 3' / 90 cm |
| Aperture/Iris Blades | 16 |
| Image Stabilization | No |
| Gear Standard | Focus, Iris: 0.8 MOD |
| Gear Rotation | Focus: 270° (Manual Only) |
| Iris: 90° (Manual Only) | |
| Electronic Communication | No |
| Diameter | Front: 3.7" / 95 mm |
| Length | 4.8" / 121 mm |
| Weight | 4 lb / 1830 g |
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