FUJIFILM X-T50 Body Black
by FujifilmPairing flagship DNA with unprecedented film simulation access, FUJIFILM introduces the black X-T50 Mirrorless Camera.
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Paket beinhaltet
- FUJIFILM X-T50 Mirrorless Camera (Black)
- FUJIFILM NP-W126S Li-Ion Battery Pack
- USB Cable
- Headphone Adapter
- Shoulder Strap
- Body Cap
The Style of FUJIFILM X-T50
Classic Design
FUJIFILM X-T50 inheritates the X-T Series design that suggests the close resemblance of a classic film camera. The compact body weighs just 438g (0.96lb)*. Combined with the sleek design and ergonomic styling, it’s a joy to use wherever your creative journey takes you.
*Including battery and memory card
Rounded Body Shape
FUJIFILM X-T50 incorporates a new, rounded body shape. While slightly larger than the predecessor X-T30 II model, the styling makes it feel small without compromising handling. The thumb grip extends smoothly outward compared to previous models, providing an impressive overall feel and grip on the body.
Film Simulation Dial
FUJIFILM X-T50 features all-new Film Simulation dial on the top plate. Choosing the Film Simulation has never been easier. It is as simple as turning the dial. There are 20 Film Simulation modes to choose from, including the latest “REALA ACE”. Enjoy our color science that we have cultivated since our establishment in 1934.
Optimized for Creativity
Dial Operation
FUJIFILM X-T50 houses shutter speed, exposure compensation, and all-new Film Simulation dials on the top-plate. Together with the aperture ring on most XF lenses, settings can be checked and adjusted, even without turning the camera on, leaving you to concentrate on what matters most: making the perfect image.
Electronic Viewfinder
FUJIFILM X-T50 features a 2.36 million dot electronic viewfinder (EVF) with a 0.62x magnification ratio. The specially designed lens elements provide a high-definition live view, and includes an adjustable diopter control to provide a truly comfortable experience.
Tilting LCD
FUJIFILM X-T50 incorporates a tilting LCD, which offers enhanced versatility, particularly when working at waist level. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Cutting-Edge Image Quality
FUJIFILM X-T50’s fifth-generation X-Trans CMOS 5 HR sensor, X-Processor 5 imaging engine, and up to 7.0-stop in-body image stabilization (IBIS) combine to deliver the highest image quality yet for X Series in a small, light body.
Improved Features
FUJIFILM X-T50 has further enhanced its features such as autofocus and ISO sensitivity when compared to its predecessor FUJIFILM X-T30 II.
Subject Detection Autofocus
FUJIFILM X-T50 uses X-Processor 5’s subject detection AF to accurately track a range of subjects. Built using deep-learning AI technology, it detects animals, birds, cars, motorcycles, bicycles, airplanes, trains, insects, and drones.*
*Set the SUBJECT DETECTION SETTING to BIRD for insect detection, and to AIRPLANE for detecting drones.
Updated AF Algorithm
FUJIFILM X-T50 incorporates an impressive autofocus prediction algorithm for reliable focusing even when recording continuously moving subjects. Autofocus enhancements are most notable in Zone AF and low-contrast situations.
ISO 125 Standard Sensitivity
The X-Trans CMOS 5 HR sensor in FUJIFILM X-T50 has a more light-efficient pixel structure. A setting of ISO 125, which on the prior model, FUJIFILM X-T30 II was only an extended sensitivity option, is now available natively on the FUJIFILM X-T50.
S/N Level / Low-Light Power
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio. Astonishing image quality is in the palm of your hand.
Expanding Your Creativity
Add extra options to your image-making journey by combining FUJIFILM X-T50’s unique Film Simulation modes with other creative features. Use analog effects such as film grain, or boost color depth, clarity, or sharpness to elevate your images, and take full control of highlight and shadow tones to dramatically expand your creative palette. A truly bespoke photographic adventure awaits.
Film Simulation
The 20 Film Simulation modes offered by FUJIFILM X-T50, including the new REALA ACE mode, harness 90 years of Fujifilm color science, digitally replicating the look of classic photographic film stocks. Reproduce the classic colors and tones Fujifilm is renowned for, or add artistic flair to your photographic journey.
Manipulating Images
White Balance
Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preseved. Under incandescent lighting, this will generally result in images with warmer white tones.
Mode | Automatic Scene Recognition |
Custom | Custom 1~3 Size / Area Selectable |
Color Temperature Selection |
2,500K –10,000K |
Preset | Daylight, Shade, Fluorescent Light (Daylight), Fluorescent Light (Warm White), Fluorescent Light (Cool White), Incandescent Light, Underwater |
Multiple Exposure
Layer up to nine images in Additive, Average, Comparative Bright or Comparative Dark modes to combine multiple perspectives or different points in time. Various settings, including Film Simulations, can be applied to each exposure to produce a unique creative expression completely in-camera.
AUTO Mode
In AUTO mode, the camera automatically recognizes and sets optimal exposure settings for any scene. It also features auto subject detection where the camera automatically detects and tracks the subject, keeping it in focus. This eliminates the need to adjust the subject detection settings manually for easy image making. The AUTO mode can also be used for video.
Video Functionality
FUJIFILM X-T50 offers advanced video performance in a compact, lightweight body. Create movies up to 6.2K internally at 30p in 4:2:2 10-bit color. 4K/60p and high-speed 1080/240p are also available, maximizing video flexibility.
Improved Subject Tracking
Track subjects in your videos with ease. Select AF-C mode with Wide/Tracking AF, then simply touch the subject on the rear LCD. FUJIFILM X-T50 will track the object, even in situations where multiple subjects appear in the frame.
F-Log2 support
In addition to F-Log, FUJIFILM X-T50 also supports F-Log2, which records an expanded dynamic range of 13+ stops.* This range is wider than current F-Log, broadening post-production potential.
*When recording F-Log2, based on Fujifilm internal testing.
Connectivity
Compatible with Frame.io Camera to Cloud
Create, share and collaborate in an instant with FUJIFILM X-T50’s native Frame.io Camera to Cloud technology. Wirelessly connect to an active internet connection, authenticate to Frame.io, and start uploading photos and videos at the moment of creation.
FUJIFILM XApp
FUJIFILM X-T50 is compatible with FUJIFILM XApp, offering extended functionality and simple image transfer to your smartphone. Files can be shared between camera and smartphone quickly, while the free, downloaded app also allows the camera to be operated remotely.
Model Name | FUJIFILM X-T50 |
Lens Mount | FUJIFILM X mount |
Image Sensor | 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter |
Number of effective pixels | 40.2 millions pixels |
Sensor Cleaning System | Ultra Sonic Vibration |
Image Processing Engine | X-Processor 5 |
Sensor Cleaning System | Ultra Sonic Vibration |
Storage media | SD Card (-2GB) |
SDHC Card (-32GB) | |
SDXC Card (-2TB) | |
UHS-I | |
UHS-II | |
Video Speed Class V90 | |
*Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility. | |
File format of still image | |
DCF | Compliant with Design rule for Camera File system (DCF2.0) |
JPEG | Exif Ver.2.32 |
HEIF | 4:2:2 10bit |
RAW | 14bit RAW (RAF original format) |
TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) |
Notes | *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing |
Number of recorded pixels | |
[L] | 43: 6864 x 5152 |
32: 7728 x 5152 | |
169: 7728 x 4344 | |
11: 5152 x 5152 | |
54: 6432×5152 | |
[M] | 43: 4864 x 3648 |
32: 5472 x 3648 | |
169: 5472 x 3080 | |
11: 3648 x 3648 | |
54: 4560×3648 | |
[S] | 43: 3456 x 2592 |
32: 3888 x 2592 | |
169: 3888 x 2184 | |
11: 2592 x 2592 | |
54: 3264×2592 | |
Panorama | |
[L] | vertical: 9600 x 2160 |
horizontal: 9600 x 1440 | |
[M] | vertical: 6400 x 2160 |
horizontal: 6400 x 1440 | |
Sensitivity | |
Still Image | |
Standard Output | AUTO1 |
AUTO2 | |
AUTO3 | |
ISO125~12800 (1/3 step) | |
Extended Output | ISO64 |
ISO80 | |
ISO100 | |
ISO25600 | |
ISO51200 | |
Movie | |
Standard Output | AUTO |
ISO125~12800 (1/3 step) | |
Extended Output | ISO25600 |
Exposure control | TTL 256-zone metering |
Multi | |
Spot | |
Average | |
Center Weighted | |
Exposure mode | P (Program AE) |
A (Aperture Priority AE) | |
S (Shutter Speed Priority AE) | |
M (Manual Exposure) | |
Exposure compensation | |
Still | -5.0EV~+5.0EV 1/3EV step |
Movie | -2.0EV~+2.0EV 1/3EV step |
Image stabilizer | |
Mechanism | Image sensor shift mechanism with 5-axis compensation |
Compensation Effect | 7.0 stops |
Digital Image Stabilization | Yes (movie mode only) |
IS MODE BOOST | Yes (movie mode only) |
Shutter type | Focal Plane Shutter |
Shutter speed | |
Mechanical Shutter | |
P mode | 4sec. to 1/4000sec. |
A mode | 30sec. to 1/4000sec. |
S/M mode | 15min. to 1/4000sec. |
Bulb | up to 60min. |
Electronic Shutter | |
P mode | 30sec. to 1/180000sec. |
A mode | 30sec. to 1/180000sec. |
S/M mode | 15min. to 1/180000sec. |
Bulb | 1sec. Fixed |
Electronic Front Curtain Shutter | |
P mode | 30sec. to 1/4000sec. |
A mode | 30sec. to 1/4000sec. |
S/M mode | 15min. to 1/4000sec. |
Bulb | up to 60min. |
Mechanical + Electronic Shutter | |
P mode | 30sec. to 1/180000sec. |
A mode | 30sec. to 1/180000sec. |
S/M mode | 15min. to 1/180000sec. |
Bulb | up to 60min. |
Notes | *Mechanical shutter works until 1/4000sec. |
E-Front + Mechanical Shutter | |
P mode | 30sec. to 1/4000sec. |
E-Front + Mechanical + Electronic Shutter | |
P mode | 30sec. to 1/180000sec. |
Movie | |
6.2K | 1/4000sec. to 1/24 sec. |
4K/DCI4K | 1/4000sec. to 1/4 sec. |
FHD | 1/4000sec. to 1/4 sec. |
Notes | *Cannot choose slower shutter speed than framerate for some settings. |
Synchronized Shutter Speed For Flash | |
Mechanical shutter | 1/180sec. or slower |
Continuous shooting | |
CH | |
Electronic Shutter Approx. 20fps (1.29x Crop) | |
JPEG | 168 frames |
Compressed RAW | 66 frames |
Lossless compressed RAW | 32 frames |
Uncompressed RAW | 17 frames |
Compressed RAW + JPEG | 21 frames |
Lossless compressed RAW + JPEG | 20 frames |
Uncompressed RAW + JPEG | 17 frames |
Electronic Shutter Approx. 13fps (1.29x Crop) | |
JPEG | 1000+ frames |
Compressed RAW | 94 frames |
Lossless compressed RAW | 25 frames |
Uncompressed RAW | 21 frames |
Compressed RAW + JPEG | 48 frames |
Lossless compressed RAW + JPEG | 31 frames |
Uncompressed RAW + JPEG | 19 frames |
Electronic Shutter Approx. 10fps (1.29x Crop) | |
JPEG | 1000+ frames |
Compressed RAW | 536 frames |
Lossless compressed RAW | 43 frames |
Uncompressed RAW | 23 frames |
Compressed RAW + JPEG | 61 frames |
Lossless compressed RAW + JPEG | 37 frames |
Uncompressed RAW + JPEG | 21 frames |
Electronic Shutter Approx. 13fps | |
JPEG | 163 frames |
Compressed RAW | 46 frames |
Lossless compressed RAW | 21 frames |
Uncompressed RAW | 18 frames |
Compressed RAW + JPEG | 24 frames |
Lossless compressed RAW + JPEG | 20 frames |
Uncompressed RAW + JPEG | 19 frames |
Electronic Shutter Approx. 8.9fps | |
JPEG | 1000+ frames |
Compressed RAW | 68 frames |
Lossless compressed RAW | 28 frames |
Uncompressed RAW | 21 frames |
Compressed RAW + JPEG | 36 frames |
Lossless compressed RAW + JPEG | 23 frames |
Uncompressed RAW + JPEG | 21 frames |
Electronic Shutter Approx. 8.0fps | |
JPEG | 1000+ frames |
Compressed RAW | 79 frames |
Lossless compressed RAW | 22 frames |
Uncompressed RAW | 20 frames |
Compressed RAW + JPEG | 30 frames |
Lossless compressed RAW + JPEG | 21 frames |
Uncompressed RAW + JPEG | 20 frames |
CL | |
Mechanical Shutter Approx. 5.0fps | |
JPEG | 1000+ frames |
Compressed RAW | 1000+ frames |
Lossless compressed RAW | 56 frames |
Uncompressed RAW | 24 frames |
Compressed RAW + JPEG | 81 frames |
Lossless compressed RAW + JPEG | 27 frames |
Uncompressed RAW + JPEG | 21 frames |
Mechanical Shutter Approx. 4.0fps | |
JPEG | 1000+ frames |
Compressed RAW | 1000+ frames |
Lossless compressed RAW | 1000+ frames |
Uncompressed RAW | 29 frames |
Mechanical Shutter Approx. 3.0fps | |
JPEG | 1000+ frames |
Compressed RAW | 1000+ frames |
Lossless compressed RAW | 1000+ frames |
Uncompressed RAW | 60 frames |
Pre-shot | |
Electronic Shutter, 1.25 X Crop Approx. 20fps (1.29x Crop) | 20 frames |
135 frames | |
155 frames | |
Electronic Shutter, 1.25 X Crop Approx. 13fps (1.29x Crop) | 13 frames |
177 frames | |
190 frames | |
Electronic Shutter, 1.25 X Crop Approx. 10fps (1.29x Crop) | 10 frames |
240 frames | |
250 frames | |
Electronic Shutter, 1.25 X Crop Approx. 13fps | 13 frames |
177 frames | |
190 frames | |
Notes | *Recordable frames depends on recording media |
*Speed of continuous shooting depends on shooting environment and shooting frames | |
Drive Mode | |
AE Bracketing | 2 frames |
3 frames | |
5 frames | |
7 frames | |
9 frames | |
Filmsimulation Bracketing | Any 3 types of film simulation selectable |
Dynamic Range Bracketing | 100% |
200% | |
400% | |
ISO Sensitivity Bracketing | ±1/3EV |
±2/3EV | |
±1EV | |
White Balance Bracketing | ±1 |
±2 | |
±3 | |
Focus Bracketing | AUTO |
MANUAL | |
Multiple Exposure | Yes (Max. 9 frames) |
Additive | |
Average | |
Bright | |
Dark | |
HDR Mode | AUTO |
2 | |
4 | |
8 | |
800% + | |
Advanced Filter | Toy camera |
Miniature | |
Pop color | |
High-key | |
Low-key | |
Dynamic tone | |
Soft focus | |
Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
Focus | |
Mode | Single AF |
Continuous AF | |
MF | |
Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) |
AF Frame Selection | Single point AF - 3×3 / 5×5 / 7×7 / Custom1-3 from 117 areas on 13×9 grid |
13×9 / 25×17 (Changeable size of AF frame) - All | |
Zone AF - Yes | |
Subject Detection | [“Yes (Animal\/Bird\/Automobile\/Motorcycle&Bike\/Airplane\/Train)”] |
Flash | |
Shoe Mount Flash | |
Sync. Mode | 1st Curtain |
2nd Curtain | |
AUTO FP (HSS) | |
Flash Mode | TTL (TTL AUTO / STANDARD / SLOW SYNC. ) |
MANUAL | |
MULTI *When EF-X500 is set | |
OFF | |
Hot shoe | Yes (Dedicated TTL Flash compatible) |
Viewfinder | |
EVF | |
EVF | 0.39 inch OLED Color Viewfinder |
Approx. 2.36 million dots | |
Coverage of Viewing Area vs. Capturing Area | Approx. 100% |
Eyepoint | Approx. 17.5mm (from the Rear End of the Camera’s Eyepiece) |
Diopter Adjustment | -4~+2m-1 |
Magnification | 0.62x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 |
Diagonal Angle of View | approx. 31° (Horizontal angle of view: approx. 26° ) |
Built-In Eye Sensor | |
LCD monitor | 3.0 inch Tilt-Type Touch Screen Color LCD Monitor |
Aspect Ratio | 3:2 |
Dots | Approx. 1.84 million dots |
Touch Screen Mode | Shooting Mode |
Shooting | |
AF | |
Focus Area | |
OFF | |
Double Tap Setting (ON/OFF) | |
Touch Function Setting (ON/OFF) | |
Touch Zoom (ON/OFF) | |
EVF Touch Screen Area Setting | |
Playback Mode | Swipe |
Pinch-in / Pinch-out | |
Double-tap | |
Drag | |
Movie recording | |
File Format | |
MOV | HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) |
MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) | |
MP4 | MPEG-4 AVC/H.264, AAC |
Movie Compression | All Intra |
6.2K(16:9) | |
File size | 6240 x 3510 |
Frame rate | 29.97p |
25p | |
24p | |
23.98p | |
Bitrate | 360Mbps |
200Mbps | |
100Mbps | |
50Mbps | |
DCI4K HQ(17:9) | |
File size | 4096 x 2160 |
Frame rate | 29.97p |
25p | |
24p | |
23.98p | |
Bitrate | 360Mbps |
200Mbps | |
100Mbps | |
50Mbps | |
4K HQ(16:9) | |
File size | 3840 x 2160 |
Frame rate | 29.97p |
25p | |
24p | |
23.98p | |
Bitrate | 360Mbps |
200Mbps | |
100Mbps | |
50Mbps | |
DCI4K(17:9) | |
File size | 4096 x 2160 |
Frame rate | 59.94p |
50p | |
29.97p | |
25p | |
24p | |
23.98p | |
Bitrate | 360Mbps |
200Mbps | |
100Mbps | |
50Mbps | |
4K(16:9) | |
File size | 3840 x 2160 |
Frame rate | 59.94p |
50p | |
29.97p | |
25p | |
24p | |
23.98p | |
Bitrate | 360Mbps |
200Mbps | |
100Mbps | |
50Mbps | |
Full HD(17:9) | |
File size | 2048 x 1080 |
Frame rate | 59.94p |
50p | |
29.97p | |
25p | |
24p | |
23.98p | |
Bitrate | 360Mbps |
200Mbps | |
100Mbps | |
50Mbps | |
Full HD(16:9) | |
File size | 1920 x 1080 |
Frame rate | 59.94p |
50p | |
29.97p | |
25p | |
24p | |
23.98p | |
Bitrate | 360Mbps |
200Mbps | |
100Mbps | |
50Mbps | |
Full HD(17:9) High Speed Rec. | |
File size | 2048 x 1080 |
Frame rate | 240p |
200p | |
120p | |
100p | |
Bitrate | 360Mbps (recording) |
200Mbps (recording) | |
Full HD(16:9) High Speed Rec. | |
File size | 1920 x 1080 |
Frame rate | 240p |
200p | |
120p | |
100p | |
Bitrate | 360Mbps (recording) |
200Mbps (recording) | |
Film simulation mode | 20 modes |
PROVIA/Standard | |
Velvia/Vivid | |
ASTIA/Soft | |
Classic Chrome | |
REALA ACE | |
PRO Neg.Hi | |
PRO Neg.Std | |
Classic Neg. | |
Nostalgic Neg. | |
ETERNA/Cinema | |
ETERNA BLEACH BYPASS | |
ACROS | |
ACROS + Ye Filter | |
ACROS + R Filter | |
ACROS + G Filter | |
Black & White | |
Black & White + Ye Filter | |
Black & White + R Filter | |
Black & White + G Filter | |
Sepia | |
Monochromatic Color | Yes |
Grain Effect | |
Roughness | STRONG, WEAK, OFF |
Size | LARGE, SMALL |
Color Chrome Effect | STRONG, WEAK, OFF |
Color chrome Blue | STRONG, WEAK, OFF |
Smooth Skin Effect | STRONG, WEAK, OFF |
Dynamic range setting | |
Still | |
Still | AUTO / 100% / 200% / 400% |
ISO restriction | DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
Movie | |
Movie | 100% / 200% / 400% |
ISO restriction | DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
White balance | |
Auto | White Priority |
Auto | |
Ambience Priority | |
Custom | Custom1 – 3 |
Color Temperature Selection | 2500K~10000K |
Preset | Daylight |
Shade | |
Fluorescent Light-1 | |
Fluorescent Light-2 | |
Fluorescent Light-3 | |
Incandescent Light | |
Underwater | |
Clarity setting | ±5 steps |
Self-timer | |
Still | 10sec. |
2sec. | |
Movie | 10sec. |
5sec. | |
3sec. | |
Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) |
Wireless transmitter | |
Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
Encryption | WPA/WPA2 mixed mode, WPA3 |
Access Mode | Infrastructure |
Bluetooth® | |
Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
Operating Frequency (Center Frequency) | 2402〜2480MHz |
Terminal | |
Digital Interface | USB Type-C (USB3.2 Gen2x1) |
HDMI Output | HDMI Micro connector (Type D) |
Others | ø3.5mm, stereo mini connector (Microphone) |
Hot shoe | |
Power supply | NP-W126S Li-ion battery (included) |
Battery Life For Still Images | |
Economy Mode | Approx. 390 frames |
Normal Mode | Approx. 305 frames |
Notes | *When XF35mmF1.4 R is set |
Actual Battery Life Of Movie Capture | |
6.2K | Approx. 45min. (29.97p) |
4K | Approx. 45min. (59.94p) |
Full HD | Approx. 45min. (59.94p)、Approx. 50min. (120P) |
Notes | *Face detection is set to OFF |
Continuance Battery Life Of Movie Capture | |
6.2K | Approx. 70min. (29.97p) |
4K | Approx. 70min. (59.94p) |
Full HD | Approx. 80min. (59.94p) |
Notes | *Face detection is set to OFF |
*Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard. | |
Dimensions | |
Width | 123.8mm |
Height | 84mm |
Depth | 48.8mm |
(Minimum Depth) | (34.2mm) |
Weight | |
Including Battery And Memory Card | Approx. 438g |
Excluding Battery And Memory Card | Approx. 389g |
Operation Environment | |
Operating Temperature | 0℃~+40℃ |
Operating Humidity | 10%~80% (no condensation) |